As it is, all I can say is the album is composed with all the beauty, eloquence, and emotion the story was written with.Īs mentioned above, this album blends the best elements of The God Thing and Abydos (especially the immense, bombastic orchestrations of the latter) with the refined sound and heavier approach of Beyond Daylight. The first few hundred pages of the book certainly support this argument, if I had had time to finish it I would comment more on the album's following of the storyline. Christ.0 is a concept album based on The Count Of Monte Cristo by Alexandre Dumas, a book I have not had the pleasure of reading in its entirety but have heard is among the greatest books ever written. This album is best listened to as a whole, as the songs stand decently on their own but work best as pieces of a larger puzzle (for instance, the recurring theme in Postcard To God and Fireroses Dance is lost if one or the other song is singled out). Each album offers something unique and slightly different, but Vanden Plas is instantly recognizable to their fans.įor those familiar with Vanden Plas, Christ.0 is equal parts The God Thing and Andy's solo project Abydos. While comparisons can be drawn to elements of other progressive metal bands, Vanden Plas has crafted a sound all their own. For anyone unfamiliar with this phenomenal band, Vanden Plas combines a heavy and intense backbone (brothers Stephan and Andreas Lill on guitar and drums respectively, and Torsten Reichert on bass) with the accented and unique voice of Andy Kuntz and the light, airy keys of Gunter Werno. Vanden Plas, after a four-year break since the release of Beyond Daylight, have returned with Christ.0, arguably the best album of their career and one of the best albums of 2006 (it may be early in the year to be saying that, but I'll say it confidently anyway). ![]() Tracklist: Christ 0 (5:37), Postcard To God (6:19), Wish You Were Here (9:16), Silently (8:33), Shadow I Am (5:30), Fireroses Dance (6:05), Somewhere Alone In The Dark (5:32), January Sun (10:07), Lost In Silence (4:21), Gethsemane (6:18) Christopher Frick's Review The Underground Railroad – The Origin Of Consciousness.
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