With the ability to fully customise the choice, position and size of up to nine modules within a single instance of SuperVision, and to save your own layout presets, this is a powerful and flexible visualisation system. The Spatial Domain modules - Surround and Ambisonics - offer useful level and channel correlation visualisation for those working in multichannel formats also. It could make a good companion to the new spatial imaging plug‑in described below. This is frequency‑based and particularly useful for checking out just how ‘stereo’ your low end is. The Phasescope, Panorama and Correlation modules are familiar, but I particularly liked the Multipanorama module. The Phase modules provide various ways to visualise the correlation between the left and right sides of a stereo signal. The latter provides an intriguing display which shows the energy of your audio based upon the 12 half‑steps of the equal‑tempered scale. In the post‑loudness‑wars world of streaming, whatever your specific loudness target, SuperVision’s Loudness module will assist you in hitting it.Īlongside the very useful, but fairly conventional, Spectrum Curve (which, interestingly, does offer a masking feature that can compare a main signal with that of a side‑chain input) and Spectrum Bar, the Spectral Domain modules also include Spectrum Intensity, Spectrogram and Chromograph options. The module displays true peak, integrated loudness, short‑term loudness, momentary maximum and loudness range and, amongst other configurable options, is switchable between LU or LUFS units. However, the range of options is impressive and a few of the modules are worth further comment.įor example, the Signal category includes a well‑featured Loudness module that follows the EBU R128 reference. Many of these are relatively straightforward, such as the Level module within the Signal category, or the Spectrum Bar (a frequency‑based histogram) within the Spectral Domain category. The 18 available modules fall into a number of categories: Signal, Spectral Domain, Phase, Spatial Domain, Waveform and Other. SuperVision is a single plug‑in, which can be placed as an insert anywhere it’s required to visualise your audio signals, but is actually an assemblage of modules that the user can configure and customise. SuperVision provides a powerful and flexible suite of visualisation modules including Loudness (top left), Chromograph (top right) and Multipanorama (bottom left) amongst many others. Cubase 11’s new SuperVision plug‑in provides an excellent starting point in that regard. Acquiring top‑notch audio visualisation skills might, therefore, come a close second to ‘golden ears’ on your list of desirable superpowers as a budding mixing or mastering superhero. While there is truth in the old adage that if it sounds right, it is right, a visual representation of your audio can offer all sorts of helpful insights. For example, Elements now includes side‑chaining options and Artist now includes support for VariAudio 3, ARA2 and unlimited audio, MIDI or instrument tracks. And while not all of these new features trickle down to the Artist and Elements versions, in both cases, there are some nice surprises. That said, on paper, for users of the Pro version, the list of ‘new and improved’ in this upgrade is impressive. While v11 brings all sorts of worthwhile new developments, if you are part of that large user‑base and Cubase helps put food on your table, you can breathe easy moving from any recent (10 or 10.5, for example) version to Cubase 11 is a smooth and painless transition. The current DAW/sequencer marketplace includes many excellent choices, and Cubase is undoubtedly one of the ‘giants’ amongst this product group, with a long history, a large user base, and a comprehensive feature set. So, just what are Steinberg adding in Cubase 11 that might entice existing users to upgrade, or tempt potential new users to take the plunge? On The Shoulders Of Giants Those happy with their current version can, of course, choose to stick but, when presented with a long list of improvements and new features, the temptation to twist can be high. These regular annual upgrade cycles bring out different responses in users. Cubase 11 - in Pro, Artist and Elements versions - is therefore now with us. For many years, Steinberg have been very consistent on this front, with annual upgrades to Cubase released towards the year end. While death and taxes may still be the trump cards in the game of certainty, the inevitability of a tempting upgrade to your favourite music production software can’t come far behind. Steinberg turn the dial up to 11 with a stonking new version of Cubase.
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